Archive for the ‘Interviews’ Category

Bugge Wesseltoft / Henrik Schwarz – New Album – Duo

Monday, August 15th, 2011

 

When some collaborations occur, it feels like Fate has been paying close attention, planning something special. Wesseltoft comes from a jazz background and has moved towards electronic music. He started on the ECM label with Jan Garbarek, and later collaborated with club music legends like Laurent Garnier and Francois Kervorkian on stage. Schwarz comes from the Chicago/ Detroit techno culture, and performs at music festivals and in clubs on all continents. He has been moving towards the jazz and improvisation. Henrik: “Bugge and myself are moving towards each other, there are these energies.” Their first album called Duo was just released worldwide on Jazzland Recs/ Universal Music.

Kleine Wundertüte

(Kleine Wundertüte is a collection of all wonderful things that we come across in our every-day life. The project is based on the idea to document, connect and share interesting information from different kinds of media.)

visit “Kleine Wundertüte’s” blog

PORTRAIT: CRAIG SEMETKO

Wednesday, December 1st, 2010

A glimpse on Cologne’s streetviews is yet another great project from Craig Semetko, the world famous photographer, filmed by our Artition member Konstantin Adenauer for Adenauerfilms (Music credits: Acension to Virginity – Dave Grusin // Blind Lemon – Change):

Portrait Craig Semetko from Adenauer Film on Vimeo.

Artition: Interview with Xavier Robles de Medina

Thursday, September 2nd, 2010

I am very pleased to introduce Xavier Robles De Medina. His skills in drawing and painting are extraordinary and have been promoted very early in his live, during school, where I was fortunate enough to have experienced his development already. As far as I can look back Xavier was always fascinated in portraying people as well as himself. His greatest artinsary would certainly be the classical drawing, however to a much more deep-going way. When he portrays he wants to transport the feelings that are collected in the face, such as anger or happiness, but with a definite focus of only transporting what he sees: Reality. Have a read through the interview with Xavier to understand his works better:

Artition: How would you describe your work/art/style?

XRDM: My work is almost always representational. I work from the three dimensional form, which means I try not to use photographs. It is hard, especially with commissions and portraits, but ideally I work from life. In my work I try to portray the subject exactly as I see it, without exaggerating and romanticizing. I think there is a beauty in observing reality, rather than interpreting and changing it somehow. In my still-life compositions I usually do have a narrative in mind, and a concept or message that I try to communicate through inanimate objects. In Reaching, for instance, I used objects that are commercially manufactures, but trying to imitate humanity in their appearance. The idea is that they are reaching up to something that they aspire to be, which literally, is humanity; I would like to think that my drawings could be interpreted allegorically for many situations other than the literal situation portrayed in the piece.

“Monochrome-Self”

Artition: What or who inspires you?

XRDM: In terms of my technique Baroque, and Neo-Classical painters most often inspire me. Caravaggio, Rembrandt, Jacques-Louis David, and Ingres are really big inspirations. I also love Käthe Kollwitz, Paul Cadmus, and James Ensor. The reason many of my compositions are square is mostly because of my admiration for Andy Warhol’s ideology of Pop being a universal art, which is something I try to recreate. I am very much inspired by Walt Disney, Andy Warhol, and Lady Gaga, not so much for the content of their work, but because I am absolutely obsessed with The Factory environment and try to recreate that for myself. Thus, I have to mention, that I surround myself purposely with people I admire greatly, which varies from Fashion designers to Musicians. Alexander McQueen’s show, Plato’s Atlantis, absolutely blew me away and the way the show incorporated the fashion, with the make-up and hair, and the music, and the stage and production design was phenomenal and one of the most inspiring things I’ve ever seen. Similarly, Matthew Barney’s Cremaster Cycle is something I really love for the same reason. Ultimately, I’d like to work in a way in which I could incorporate all types of art, because everything inspires me. Recently I designed and executed a drawing for the band AmPm, which I was really excited about because I felt I was somehow recreating Andy Warhol’s collaboration with The Velvet Underground. I am inspired by a very wide variety of things. Music seems to inspire me the most and I have many drawings that are directly based on contemporary music. Musicians like Fever Ray, Björk, Kraftwerk, David Bowie, The Beatles, and many other musicians often inspire me to create and often determine the subjects of my drawings. One thing that people tend to overlook, and I feel I need to make more obvious, is the inspiration and content of my art, which more often than not, is Pop. Films really inspire me as well; most notably the work of David Lynch, Michael Haneke, and Stanley Kubrick.

Artition: Is there a message you want to communicate with your art?

XRDM: I’ve probably answered that already. Yes, there’s always a message I try to communicate in my art. In my portraits and figure drawings I usually just try to show reality. And although I do think that in a very subtle way, light can have meaning and be metaphorical, I usually try to create a more calculated message with my still-life pieces because it is more accessible or more obvious to interpret subjects rather than light. It is imperative to me, that there be a message, and I try in my still-life compositions to make that as apparent as possible. For instance for Venus, my main inspirations were Paul Cadmus, and Jean Paul Gaultier’s collaboration with Madonna during the Blonde Ambition period. Paul Cadmus is one of the most fascinating painters to me, and I am particularly fascinated with his marks and the way he describes form. Jean Paul Gaultier’s pieces, I realized, have a similar aesthetic in terms of how his corsets shape the Female figure. Ultimately, the piece took a life of its own and I think it represents the ambiguity of iconography and how a Venus figure can elude both to Antiquity as well as Madonna.
In Eye of David, cash inspired me. I examined the dollar and decided to juxtapose the Eye of David with a feather, which subject-wise was inspired by the back of a one-dollar bill, where the Pyramid is shown below the all-seeing eye, and the Eagle on the other side of the word One. Of course the story of David provokes a world of interpretations and symbolism as well.

“Taylor”

Artition: How do you like artition and what would you like to be added or changed?

XRDM: I honestly really like Artition as it is and the community seems immensely talented. One thing I had trouble with was creating different galleries. I would like to keep my sketches in a separate gallery from my finished pieces, and never quite figured out how to do that.

Artition: Who would you like to change life with for one day?

XRDM: If I could choose anyone from the past or the present I would definitely choose Napoleon Bonaparte. I think the way he formed his image through art and iconography, and collaborated with painters with political objectives is absolutely brilliant. But if I had to choose a contemporary figure I would have to say Lady Gaga, because she’s the most famous.

Artition: Who is your favorite artist?

XRDM: I really don’t have a favorite artist. It depends on my mood, on what I’m working on, and on the medium I am most fascinated with at the time. In terms of painting, I would probably narrow it down to Jacques-Louis David, Rembrandt, and Caravaggio. My favorite musician right now is Kraftwerk, but two weeks ago was Bjork, and before that was The Beatles. I also started listening to a band called Best Coast who I really like a lot. I have been fascinated with David Lynch for quite some time and am tempted to call him my favorite director.

Visit Xavier’s profile on Artiton

Visit Xavier’s blog

Visit Xavier on tumblr

“Reaching”

Art Cologne 2010

Monday, April 19th, 2010

Dear Friends! I will be twittering live from this years Art Cologne and post about the greatest new (and old ;) ) artists.

The 44th fair will be the most international ever. Modern and post-war will occupy level 1. Level 2 will present contemporary galleries, as well as Open Space and New Contemporaries, ART COLOGNE’s proven platforms for the presentation of young and cutting-edge international art.

The Vernissage will take place on April 20, 2010 from 5 p.m. until 9 p.m.

Watch the interview with the Art Cologne director Daniel Hug:

www.artcologne.de

Artition: Interview with Niclas Winters

Thursday, April 8th, 2010

The young and extraordinary talent Niclas Winters creates work that is powerful both in texture as well as composition. While you feel rawness in his pieces the progress in his development of different skills and techniques is tremendous and continually increasing. His brand-mark might be the chimpanzee mainly throughout his drawings, which would metaphor his recent artistic status quite well: playful but very clever!

Artition:
How would you describe your work/art/style?

NW:
My art is an illustration and comment on my surrounding and state of mind. I am bringing my urban environment mixed with my personal comment on the canvas. In various ways I am reflecting my personality and using different characters to represent these factors.

Artition:
What or who inspires you?

NW:
Everyday life inspires me, the street art scene and various artists such as Shepard Fairey (Obey), Takashi Murakami, Sam Flores etc. Everything is an inspiration if you make something out of it.

Artition:
Is there a message you want to communicate with your art?

NW:
The messages I am trying to make are conflicts in my surrounding and possibly of various other people. Stating the ovious in different forms and styles.

Artition:
How do you like artition and what would you like to be added or changed?

NW:
Artition is a great medium of displaying your art and bringing it out to the people. It is also great to have the possibility to communicate with other artists and view their art works, their styles, their stories.

Artition:
Who is your favourite artist?

NW:
Most inspirational artists which influenced my art a lot are Takashi Murakami, Banksy and Shepard Fairey although various other artists impress me with their work and help me find my own way in my art
.

Visit Niclas’ profile on artition

Artition: Member interview with Moses Foster

Wednesday, April 7th, 2010

Moses Foster is an artist with complex abilities. His use of colour is very elaborate and he has a certain ‘swing’ in his pieces, creating great patterns, as well as figures and shapes. I guess some of his works with white background look great in real. Read more in my interview with him:

Artition:
How would you describe your work/art/style?

MF:
I´ve been asked this question quite often… at bars, gallery openings, occassional interests from people who meet me on the street…. I´ve come to a conclusion… I don´t worry about the style… I just create and continue creating from the source which is my daily life.

Artition:
What or who inspires you?

MF:
Touch and go…. that´s the type of question this is….
Inspiration for me is also very personal. I´ve been painting since I was 5 years old… long before I beheld the massive paintings of Caravaggio and Reubens in various international museums. Light and shadow inspires me…. How do I portray light and shadow without giving away too much. The subject matter varies….color in my opinion are like piano keys…and I´m still the 5 year old… Playing with the fire of construction in the face of all the hot heads of the university whom I sum up as Nay sayers….

Rebellion inspires me… The fight to get it down on canvas in which ever medium suits the subject.

Artition:
Is there a message you want to communicate with your art?

MF:
Lately my work is moving at such a rate until I´m not so sure how to answer this question. I try to title the single pieces but sometimes I´m stuck with the mental connection I have with the works… I don´t want to trap my ideas with names or zealous titles anymore… I´ve had enough of trying to communicate on terms of public awareness. I´m making the work…. I´ll let it do the job of communicating with whom it desires. I say this because most times… I get the feeling that when people check out a painting…. they either want more than what´s physically there…or they´re projecting their own fantasies… All fine by me… but I think the only people who really understand the language of babies are mothers. It´s not until the child is at a certain age that it´s able to reach out and take account of its own existence. Translate that to painting and other creative functions !!


Artition:
How do you like artition and what would you like to be added or changed?

MF:
I woke up this morning and found this interview in my inbox….
I like that. I´ve been so busy and wanted to put it to the side…but I decided.. it´s for my future that I sit here and answer these questions as best I can…

Artition:
Who would you like to change life with for one day?


MF:
I would never consider this.


Artition:
Who is your favourite artist?

MF:
Nature

Visit Moses’ profile on artition

Visit Moses’ website

Kentridge in New York

Thursday, March 25th, 2010

If you are in New York between now and 7 May you should take a day and visit the MoMA to see William Kentridge’s great exhibition called: Five Themes.

The South-African born artist is famous for his compositions of poetical elements with policital themes. With a range of animated short movies, the museum also shows other drawings, sketches, collages, prints as well as performances that gives a great retrospective on Kentridge’s Œuvre of the last 30 years.

Visit MoMAs homepage

Watch more movies from Kentridge

Artition: Member interview with Vladimir Hristov

Tuesday, March 23rd, 2010

Vladimir Hristov joint us recently and instantly caught our attention with his provocative works, that are in the same way so harmoniously and illustrative. The compositions, the colors and his attempt to create abstract atmosphere will define him as an expressionist, such as Macke or Chagall; but by modern influences in beauty as well as bloodiness he defines himself as a contemporary expressionist, absorbing our daily nature into an aesthetic matter.

Artition:
How would you describe your work/art/style?

VH:
Mix of traditional methods with contemporary and modern way of painting. On a contrary of being afraid of heaving different styles in one painting, I love having all those diametrically contrasted genres mixed up in one piece. What really matters is which emotion and/or which visual impression the work evokes in the viewers minds.

Artition:
What or who inspires you?

VH:
Mix of: Botticelli and Kandinsky with Nick Cave & Sonic Youth, that might be about where I want to go…
Starting with Byzantine and Renaissance art, going forward through: Klimt & Schiele, Oskar Kokoschka and Chagall, plus Russian Avantgarde & Pop Art altogether with music & PoP Culture. There are many sources from where I feed my inspiration.

Artition:
Is there a message you want to communicate with your art?

VH:
Sex & religion… death, love, hope, fear, serial killers & guns, gods and angels… are, among others, the objectives that I am fascinated with. My paintings are not made in representational manner. Instead of putting up one image that represents this or that specific matter I prefer to play with the uncertainty of the forms and the transformations of one shape into another, and the free associations that they might bring up. I try to put all this together in a way that whenever the viewer pays some attention to the painting, he/she will always have some new feelings and new things to discover.
I intent to leave the painting “open” enough for ones perception and translation of its message.

Artition:
How do you like artition and what would you like to be added or changed?

VH:
Since I am new member of artition I am still discovering what this site is offering and until now I am delighted with it’s content.

Artition:
Who would you like to change life with for one day?

VH:
Well this is the far most difficult question to answer… first thing that comes to my mind is to have the chance of being The Art Agent of some most successful artist today and discover the art of Hristov, or just being Silvio Berlusconi for a day and have all the fun…

Artition:
Who is your favourite artist?

VH:
I am hugely impressed with Christian Boltanski lately, I love his work.

Visit Vladimir’s profile on Artition

Visit Vladimir’s homepage

Artition: Interview with Victoria Febrer

Wednesday, March 17th, 2010

Victoria Febrer is one of our keenest members. Most of her works express a certain angle of perspective towards a landscape, the sky or the composition between an object and a panorama of the ocean, the mountains or any matter that creates the floor of the painting. What I really value in her works is the constant development of skills in exploration with colour or different media. Her recent project “Vistas Y Vinografias II” are works created solely with red wine on paper and reflect her great attitude of experimentation with the goal to underpin feelings and emotions that thrive in her, as well as in all of us, when we get in contact with something familiar.

Artition:
How would you describe your work/art/style?

VF: My work is an attempt to recreate those spaces which exist only in memory, which take on characteristics of all the places we’ve seen or visited and become something which is paradoxically both unique and universal. Through a simplification of color and form I attempt to return the viewer to these idyllic spaces.

Artition:
What or who inspires you?

VF: The city and the sea.

artition:
Is there a message you want to communicate with your art?

VF: I am currently more interested in conveying feelings and sensations through my work, rather than explicit messages.

Artition:
How do you like artition and what would you like to be added or changed?

VF: I think artition is a wonderful resource for dialogue among the different participants in the art world. The only change I would suggest would be more fluid categories for medium. The barriers between mediums such as painting, drawing, and printmaking are ever-changing and perhaps a new system for categorizing works is needed.

Artition:
Who would you like to change life with for one day?

VF:
It would be interesting to change with a person visiting New York for the first time, I have never been able to experience my birth place as a newcomer and am curious as to the experience.

Artition:
Who is your favourite artist?

VF:
There are many artists whose work I love to revisit time and again. A few are Goya, Dali, Durer, Hokusai, and Sorolla.

Visit Victoria’s profile on Artition

Visit Victoria’s website

Artition: Interview with Maria Jose Aguilar

Tuesday, March 9th, 2010

I am more than delighted to post an interview with a very great artist on Artition. Maria Jose Aguilar is extremely talented in classical painting. Classical in every sense, as she paints in a style threatened with extinction that she calls symbolic realism. Her works are so impulsive and as they attempt to be so “out of time” they really reflect a complete attendance in our recent world, giving an insight of the life from spanish women covered in beauty and absolutism. Her methods are so traditional, the composures of the bodies, the places, the objects and the light create unique experience of art in a contemporary manner. Read more on what she has to say about it:

Artition:
How would you describe your work/art/style?

MJA: My works, both creative and technical process is elaborated and reflective. Pictures do not usually result by improvisation, even those that only purpose is to gain attention. The way I try mentally to process and manage the feelings and emotions that I perceive is to take the items carefully for each composition. They act as key elements of an internal language in the play, symbols belonging to a close, everyday reality, which will help decipher the message contained in each work, a message that attempts to go beyond the aesthetic contemplation. Hence the term symbolic realism.

Artition:
What or who inspires you?

MJA: Life, its intensity, with all that entails pain and joy. Sometimes the object
anodyne premonition makes me stop and enclosing a story worth telling.

Artition:

Is there a message you want to communicate with your art?

MJA: The creation of a work has a meaning for me always. It is a reflective dialogue with myself about everything that touches my heart. It is not always the same conversation, although on the same page. The viewer, from his own, perceive and recreate the table getting his own message, but if it was provided with the keys you placed in the context that inspired a painting, you qualify to be introduced, if desired, in the world the artist, perhaps giving a broader understanding of the painting.

Artition:
How do you like artition and what would you like to be added or changed?

MJA: Artition seems to me a wonderful opportunity to raise awareness of artistic diversity. I do not feel qualified to say what should be added or changed.

Artition:
Who would you like to change life with for one day?

MJA: In a world where events unfold at breakneck speed in its events that often prevents us from having a space to think, feel, dream, etc.., Would the message of my work they supposed an invitation to reflection.

Artition:
Who is your favourite artist?

MJA: Their are numerous artists that I admire. Some of them:

Spanish Artists: Velázquez, Murillo, Zurbarán, Valdés Leal, Madrazo, Goya, Sorolla, Picasso, Zóbel …

Other: Tiziano, Leonardo Da Vinci, Miguel Ángel, Rafael, Rubens, Rembrandt, Vermeer, Durero, Ingres, Van Gogh, Degas, Tolouse Lautrec, …

Visit Maria’s profile on Artition